feedback_testata2

Below you will find a selection of reviews writen by some of our alumni.
For more feedback, please visit ➤ Rate my Artist Residency ➤

Geoffrey Ricardo (Australia)

I had a wonderful and very productive time. I had the freedom to follow my own path without intrusion or expectation. Any support i required or needed was available at any time. The print studio had the warmth of a space where printmaking is cherished, respected and loved. The fellow resident artist’s added to the experience with great camaraderie, care and fun.

Christopher Ganz (USA)

“My time at the Scuola was excellent! I felt welcomed by all the people at the Scuola, from the directors to the other resident artists…everyone was very generous and enjoyed each others company. I made a lot of friends and enjoyed minute there. It really helps to come prepared and with a strong idea of what you want to make or want to learn. The facilities there are very good and one can make most any type of print. The location of the Scuola is perfectly situated in one of the best spots in Venice. I can’t wait to go back!”

Anne Bush, University of Hawaii

The Scuola is a well-established institution offering a congenial atmosphere to develop one’s artistic practice. Developed and managed by Venetian artists, the Scuola is a unique artist residency in the center of Venice and, in my opinion, the best in the city. The facilities are well maintained and the atmosphere is friendly and supportive. From January to August of 2015, I spent seven months at the Scuola during a sabbatical from my university in the United States. Thus, I feel uniquely qualified to write this review and thankful that I got to know the institution and its staff well (who now feel like family to me). Not only did this residency provide an opportunity for me to make new work, but also to make some great new friends among the other visiting artists at the Scuola. Among the residencies that I have attended around the world, I would consider the Scuola to be one of the best. I plan to return and to recommend the Scuola to my colleagues and friends.

Greg Mallyon (Australia)

“The Scuola is one of Venice’s hidden gems with its historic setting, excellent facilities and professional staff. It was quite memorable to be working and living in an area rich in heritage. The facilities were far superior to other residencies I have attended. The workshop was always kept in a professional and immaculate condition with a variety of equipment and materials readily available.”

Virginia Sharkey (California – USA):

“The most memorable thing about my residency was the interaction and conversation among the visiting residents and local artists and the richness of the setting of Venice itself.”

Michelle Ross (Oregon – USA)

“Venice is incredible, a treasure store of discoveries. With the Biennale there was no end to the inspiration to be had. The combination of contemporary art and exhibitions with the historic offerings was amazing.”

Sophie Layton (UK)

“The location and facilities of the Scuola are what make the experience of working there so incredible. There is a real sense of history to the studio. It being a family run business made it more special to me as I work for my parents glass blowing studio in London. Also knowing the caliber of artist who have worked there before me made me feel privileged to have the opportunity to be working there as well.”

Elizabeth Brinton (Washington – USA)

“The Scuola has a leader, and a staff, with a passion and vision for the print, for the shared ideas of the artists who come to participate. Being in a comfort zone with the world of printmaking feels good and solid, a place to go from, to the next thing, even to failures (which tell us the most). In days and nights of working and not having to worry about anything but working, the mind begins to have a flow. I am so grateful to the people here who took me to the next step while allowing me to take them to some places as well.” “As a mature artist it can be difficult to step out of the daily habits of the home studio and find new territory, new inspiration, and mentorship. I found all of that in Venice at the Scuola, and much more. Friendship, dialogue, and the opportunity to experience Venice not as a tourist, but as a member of the artistic community.”

Kate McCammon (Maryland, USA)

“The residencies (Summer and Winter) have given me the opportunity to work alongside artists from all over the world in a location that has so much to offer. The connections I have made at the Scuola have changed the direction of my art for the better.”

Claire Owen (Pennsylvania – USA)

“The most memorable was the “commute” from the apartment in San Maurizio to the Scuola down the canal or through the streets of Venice. I never got tired of the beauty that is the city of Venice. And the studio that is so well equipped with a garden too!” “This residency is focused on the artist making their own work. I have been on other overseas residencies where I was scheduled to teach in local schools. Not a bad thing of course, but not as much as a support to individual creative work. On the whole my time at the Scuola was wonderful. My screen saver is a view of San Maurzio taken from my window at the apartment.”

Michael Wong (Minnesota – USA)

“The Scuola created an environment where there were no stipulations or conditions on one’s studio practice often found at other artist residencies. I found a wonderful workshop and staff happy to assist with any technical issues or questions that arose in my work.”

Maria do Ceu (Brazil):

“Venezia è una città che fa la differenza nella residenza dell’artista. La posizione, la tranquillità e la qualità delle attrezzature, nonché.”

Dr. Annette Iggulden (Australia)

“Very difficult to pinpoint ‘the most memorable part’ of my residency at the Scuola for it was all truly memorable. My four weeks there were fantastic! Traveling to and from the Scuola on the ferry each day was a wonderfully inspiring experience. It gave me time for reflection and allowed me to witness daily life and the historical architecture of Venice, which fed my imagination and influenced the development of my art. I was also delighted in being assisted to discover new ways of making prints and extend my art practice. The crowning glory was to see the powerful work of Maria Lai in the Scoula’s gallery (as part of the Biennale), in the days before I returned home to Australia. Everyone was very friendly, the staff helpful, and the beautiful, professional environment was enhanced by its cared for environment and its intimate scale. I have been to other residencies where there was little or no exchange with either other resident artists or staff.”

Katrin Magens (Germany)

“I had been to Venice five times before. Then I decided to print directly at the ScuoIa and was so very happy to find such a good studio especially with very friendly people. I appreciated the very well endowed workshop and Mathilde’s knowledge of every printing technique. My favorite was the old print stamper from 1870.”

Antonio Rosario (California – USA)

“Venice is Venice. When everything is so elaborate and enlightening (from Tintoretto to mosaic craftsmanship and beyond), it definitely permeates into the dedication and effort directed to your work. Even when I consider myself a painter, I benefited from the uniqueness of the printmaking room and the caliber of the printmakers.”

Vuokko Koho (Finland)

“I loved being part of the skilled, artistic personnel of the Scuola in the most inspirational environment of the world – Venezia! My residency consisted of three calligraphic parts; teaching uncials, having an exhibition and my own art project ‘Go with Letters’ which offers the Venezia visitors a peek into the role of calligraphy in the visual culture of the city.”